Movies For People Who've Lived A Little
VIDEO: The Movies Say: Happy Shark Week!
The COVID-19 pandemic is hitting the movie industry hard — but no one is taking a more devastating shot than local independent theater owners. One such theater near you is now offering first-run independent films through streaming services that share their revenue with the theaters, just like regular theatrical distributors do.
Support your local theater. Here in Rehoboth Beach, DE, that's the Rehoboth Beach Film Society's Cinema Arts Theater.
See what they're showing HERE.
Run Time: 1 hour 35 minutes
Director: Ron Howard
In Theaters July 31, Streaming Soon
An explosion of horrific immediacy launches Ron Howard’s documentary about the aftermath of the 2018 Camp Fire, a wildfire that consumed the town of Paradise, California. Making ingenious use of terrifying phone video footage and anguished audio recordings, Howard recreates the chaotic hours when some 24,000 residents went from dropping their kids at school and getting ready for work to racing for their lives through the very gates of a fiery, smoke-choked hell.
“Are we going to die?” a motorist asks a cop who has just informed her all routes of escape are engulfed. “My house is burning,” a patrolling cop reports as dash-cam footage reveals a ball of fire erupting under a cloud of smoke. “Please, God, help us! The windows are melting!” an unseen driver screams as she rolls uncertainly by the shells of burned-out cars.
And finally, after what seems like an eternity, an escaping family’s camera catches a glimpse of blue sky beyond the cloud of smoke.
“We’re going to make it!” the dad yells triumphantly. From the back seat comes the sound of a little boy crying hysterically.
It’s as powerful a 15 minutes as you’ll ever see open a film; Howard’s domestic answer to Steven Spielberg’s D-Day sequence in Saving Private Ryan — only in this case the cinematographers are ordinary people who had the presence of mind to record for posterity what could have been their final minutes.
Howard’s actual camera crew doesn’t arrive in Paradise until a week or so after the flames have burned themselves out, while the town’s displaced residents are still finding places to stay — sitting shell-shocked on cots in a gymnasium, settling in the basements of distant relatives, camping in tent cities on football fields. Their eyes are empty, their mouths slightly agape in did-this-really-happen disbelief.
But the director isn’t interested in telling a story of hopeless tragedy. With a faith in human resilience that has marked his films from A Beautiful Mind to Apollo 13, Howard seems assured of Paradise’s resurrection even before its resident are. Focusing on a handful of indelible characters, he chronicles their slow realization that even after everything changes, life goes on.
One of them is Steve “Woody” Culleton, himself a story in resurrection, the self-described “former town drunk” who dried out, turned his life around and eventually became mayor. Beloved by his fellow Paradisians, he’s among the first to (READ MORE)
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